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Wednesday, May 23, 2012

Dance in the all * 5/23/12

You relate to me

as entertainment.

You view me with eyes

from audience distance,

as if I were separate from you,

from your immediate thoughts

and your current feelings.

Your experience of me

is a signature of dismissal

or at least compartmentalization.

Every time like this,

in almost every sensory way,

you exhaust yourself

in denials of our oneness.

You use the cleaver of time

to divide and separate us

as if it were a vast chasm

that occupies this space

as a dissection, as it were,

to formulate these stories

about us as separate

and thus as such remembered.

But I, rather we,

that is you and

your version of me,

are not separate.

And we have no memories

to use to separate us

from how we are in the now.

We are confluent as ever

in the dance.

You make decisions

as if they were rituals

that create your life

but they hold you

in preoccupation from me.

Only in our eyes and hearts,

there is no mass of distance

existing between us.

There is no space

that separates as an us.

We are of one quantum organism,

undivided as the universe.

But you,

as an oppressive consciousness

withhold with isolative methods

unto your self and your own,

as you claim them to be,

and thus become the passivity

of your aloneness.

These positions

may call you out

by they are a defilement

from the greater cause

of oneness.

You are an entrancement

but slowed to embrace.

You are an emergence

but vacantly so,

only to implore symbols

instead of your sentience.

There is a quantum of us

as you leave the use of words

to be and disrobe

from the definitional mind

to further be,

your mind, by its usages

as its habitual self signature

is also left behind,

in a never-the-mind manner.

We are the ocean of connectivity.

Even our concept of “nothing”,

as previously referred to,

is also sacred there,

for there is no act,

there is no audience,

there is no objectivity,

to claim nothing

as anything else.

The energy dances

but has no substance

of moving parts

to be in experience

or audience there of.

We are of everything,

given up to “nothing”,

yet dance in the all . . .

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